“Thinking that people will hang around for bad long-form when they have the sum of human knowledge, their entire social group and every form of entertainment known to man only a browser tab away is … optimistic.” Debunking the myths of the attention web (Digiday)
"Your browser is too old to view Happy…" #browserwars #happydenied #IE

"Your browser is too old to view Happy…" #browserwars #happydenied #IE

The three, red chimneys captured my eye. #campuslife  (at Recitation Hall)

The three, red chimneys captured my eye. #campuslife (at Recitation Hall)

“A headline is like a promise. Always deliver on that promise.” Overheard at The Washington Post (via washingtonpost)

Shame we need this reminder.

(via fastcompany)

“Why the hell are we building an app in the first place? via @codinghorror’s App-pocalypse Now”

And for the record, I’m posting this using the tumblr website, not the app. Don’t get me wrong, I use apps across devices, but when I really want to get things done and create and/or share content with minimal bugs*, not deal with limited or nonexistent critical features or random conversion slipups, I use the web. It still works. Just like email.

The minute you begin switching between platforms – say you use an iOS tablet and an Android phone and a Windows 8 touch laptop, like I do – you’ll find there are massive differences between the Amazon apps (and the eBay apps, and the Netflix apps, and the..) on these different platforms. At some point, you just get fed up with all the inconsistencies and oddities and quirks and say to hell with these apps, can I please just use the website instead?

Now, if your website is an awful calcified throwback to 2003, like eBay, then the mobile apps can be a valuable opportunity to reinvent your user interface without alienating all your existing users. If there’s one thing I love about tablet and phone design it’s that their small screens and touch interfaces force people to think simpler. This is a good thing. But if you don’t eventually take those improvements home to the mothership, you’re creating two totally different and incompatible UIs for doing the same things.

*Now, as I say “minimal bugs”, please note that I used IE10 to post this in tumblr (I know, shame on me but you know what? It’s STILL A DEFAULT BROWSER for the uninitiated which are MANY) and of course, the upload picture pop-out did not function and the edit tweet feature is completely wonky. #browserwars

"I’m sorry, Safari, you’re out." -YouTube #youshallnotpass #browserwars #brokenwindows

"I’m sorry, Safari, you’re out." -YouTube #youshallnotpass #browserwars #brokenwindows

I was reading Wired Design’s article on the new Squarespace Logo tool and was shamefully called out for using IE when visiting the service. I laughed out loud.

I was reading Wired Design’s article on the new Squarespace Logo tool and was shamefully called out for using IE when visiting the service. I laughed out loud.


Today everybody has digital audio and music­-­making tools, video tools, and graphic tools on their laptops, tablets, or smartphones.”

When Mr. Pennycook began working with digital arts, he says, computing was one of the main draws to the area. Since then, computer programs and apps have made it much easier to create art. Now it’s hard to persuade students to embrace the programming side of the discipline.

"There is some resistance to the essence of programming, and I see that as a bit of a hurdle," he says.

From Austin’s New Director of Digital Arts Pushes Programming Skills via the Chronicle of Higher Education.
“The way we measure data is subjective," Ms. Posner says. "We’re not talking about reality. We’re talking about the part of reality that we’re able to capture and make use of.”

From the @chronicle “How the Humanities Compute in the Classroom

I found this article to be interesting considering all of this talk about “the internet of things”. Perhaps the humanities can provide some relevancy and insight into how we navigate this “internet of things” frontier. Let’s get digital.

“"We want liberal-arts graduates who are not digitally challenged," one museum director said. via @chronicle”

Excerpt from No More Digitally Challenged Liberal-Arts Majors:

For several years now, I have been meeting with the center’s faculty members, students, and internship directors to learn what they are hearing from employers about our students. Again and again they hear potential employers say things like, “We like liberal-arts graduates. They are curious and creative, they write well, they can do research, they are quick learners, and they are good critical thinkers.” The best of them have the “ability to synthesize and distill large amounts of information.” And “we especially need individuals who are good storytellers—who can convey the mission of our organization in a variety of forms.”

All good so far. We liberal-arts faculty members pride ourselves on graduates who have those qualities and who can do those things. But employers also have other, more specific and immediate needs: “What we ­really want right now is someone who can build and maintain our website and publicize our work appropriately using social media. We want graduates who can generate content, of course, but they also need some technical skills. And most of the time we can only hire one person. Do you have anyone like that?”



Ain’t Made to Lose the Draw. First single out of @SpidersMusic from @KickingDoors.

New music I cowrote for Kicking Down Doors: “Ain’t Made to Lose the Draw” out of Little Spiders Music Studio.

(Source: kickingdowndoors.bandcamp.com, via kickingdowndoors)

(170 plays)

“Sharing something humanizes you. It’s important to show that you are a real person behind the account.- @EricCarvin via @digiday” The Rise of the Social Media Editor

Meditation and Mindfulness: Education Through Happiness via @zubin_sharma

Inspired by a friend and colleague working in Positive Psychology at @Penn. Alejandro was the first person to introduce me to meditation, proper. Funny story: During my days in grad school at Arcadia University, I enrolled in a Mediation course, partly because I misread the flyer and thought it was a course for Meditation—a typo that seems to happen quite frequently! :)

Through a serendipitous work association, I met Alejandro years later at Penn, while at the Center for High Impact Philanthropy. He helped me take the plunge into mindfulness. See below for an excerpt from a recent article in the Huffington Post, The Power of Mindfulness.

Koseli is part of a larger project underway by the University of Pennsylvania Positive Psychology PhD candidate Alejandro Adler. During travels to Bhutan during his undergraduate years, Adler became deeply interested in the concept of Gross National Happiness as an alternative development paradigm to Gross Domestic Product. This journey led him to explore the larger question of how we can help individuals and societies flourish. To answer this question, Alejandro enrolled in the Positive Psychology PhD program at Penn, where Professor Martin Seligman started the movement.

Positive Psychology is defined as the scientific study of optimal human functioning and is concerned with empowering individuals, organizations, and communities to maximize their strengths and virtues and to thrive. The movement has demonstrated that character and social-emotional intelligence can be taught. For example, the Penn Resiliency Program, which teaches the skills for resilience, is being taught to individuals in organizations ranging from schools, to businesses, to the U.S. Army. However, the majority of this research has been conducted in advanced industrialized countries, such as the U.S. and Australia, so Alejandro asked whether or not the teachings of Positive Psychology could be applied to less developed countries.

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